Beethoven’s Fifth Symphony is quite simply the most famous piece of classical music ever written. The opening four notes, commonly referred to as “fate knocking at the door,” are easily recognizable ...

Beethoven’s music, from the stunning victorious exclamations of the Symphony No. 3 “Eroica” to the bombastic famous four notes opening his landmark Symphony No. 5, speaks for itself. But who speaks ...

NASHVILLE, Tenn. (WTVF) — The sound of classical music filled the sanctuary of the Nashville First Baptist Church Sunday night. The Nashville Reading Orchestra performed as part of a belated ...

On March 21 and 22, Boston Baroque presented a program of Mozart’s “Symphony No. 35 in D Major (“Haffner”),” two Mozart arias performed by soprano Erin Morley, and Beethoven’s “Symphony No. 2 in D ...

This performance, preceded by an illuminating, engaging and amusing 45-minute “musical and dramatic exploration”, was a reminder of quite how far Aurora has grown in confidence and stature, and has ...

The world-famous production of Beethoven Lives Upstairs comes to Kalispell on Saturday, Sept. 23. Glacier Symphony will perform with Classical Kids Live! from Classical Kids Music Education at the ...

This Chicago Symphony Orchestra program running through Saturday offers an exciting glimpse into what Mäkelä, the group's music director designate, has in store for local audiences.

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Brahms, Wagner, even Sondheim: All have followed the great master in building their works from small bits of music. By Anthony ...

The New York Philharmonic will perform at Apple Fifth Avenue to celebrate the launch of Apple's new classical music streaming app. The event, which is already full, will take place on Friday, March 31 ...

SOAVE, Italy (AP) — Riccardo Muti will conduct a youth orchestra in an open-air concert launching the annual Ravenna Festival next month in what organizers billed Friday as Italy’s first live ...

Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...