Like the internet lore for which it is named, Backrooms (2026) encapsulates a paradox of embodiment and time. Kane Parsons’s feature film—an adaptation of his cult YouTube series of the same title—has ...

Like the internet lore for which it is named, Backrooms (2026) encapsulates a paradox of embodiment and time. Kane Parsons’s feature film—an adaptation of his cult YouTube series of the same title—has ...

“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...

A lo-fi sci-fi road trip film that reaffirms the magic of discordant personalities finding harmony, director Brian Tetsuro Ivie’s Anima is at once earthy and spiritual. It focuses on Beck (Sydney ...

Before the Berlinale announced its official selection, it presented a remarkable retrospective entitled Lost in the 90s. Spanning wide geographies, with particular emphasis on narratives surrounding ...

Before the Berlinale announced its official selection, it presented a remarkable retrospective entitled Lost in the 90s. Spanning wide geographies, with particular emphasis on narratives surrounding ...

“NAB has always been the broadcast show,” Paul Hawxhurst, senior technical specialist at Canon USA, told me at the show this year. “For a little while there, it was cinema, cinema, cinema. Right now, ...

“NAB has always been the broadcast show,” Paul Hawxhurst, senior technical specialist at Canon USA, told me at the show this year. “For a little while there, it was cinema, cinema, cinema. Right now, ...

“When George W Bush becomes president, for the first time, I knew someone dumber than me was president, and the whole fucking thing fell apart. It’s all been a house of cards, it’s all been a shell ...

“It was important to us not to be a shit post,” says Ricky Camilleri, co-writer and co-producer of Our Hero, Balthazar, thanking me for not describing it as “edge-lordy.” On paper, the film, directed ...

Now that the drama is over about whether the Academy would disqualify Andrea Riseborough for her rules-skirting DIY Oscar campaign for To Leslie, we can now return to the question every indie ...

When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo ...