Nightcrawler is one of the few films that makes ambition feel genuinely dangerous. It isn’t loud or explosive — it’s controlled, patient, calculated, and all the more unsettling because of it. The movie drops you into the late-night world of crime journalism in Los Angeles, where the race to “get the shot” has completely replaced the instinct to care about the people in frame. Lou Bloom enters that world like someone who’s been studying humans from a distance. He’s smart, observant, and empty in

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